Movies Detail of Toni (1999)
✓ Title : Toni
✓ Release Date : January 20th, 1999
✓ Genres : Crime, Drama, Romance
✓ Director : Philomène Esposito
✓ Companies : Galfin, PFA Films
✓ Countries : France, Italy
✓ Cast : Alessandro Gassman, Béatrice Dalle, Raf Vallone
✓ Release Date : January 20th, 1999
✓ Genres : Crime, Drama, Romance
✓ Director : Philomène Esposito
✓ Companies : Galfin, PFA Films
✓ Countries : France, Italy
✓ Cast : Alessandro Gassman, Béatrice Dalle, Raf Vallone
Synopsis of Toni (1999)
Toni is a mob movie combined with an urban love story and reflections about one's roots. The protagonist, Toni, is a young man from a small village in the south of Italy who arrives at the station Gare de Lyon in Paris. He never questions the education he receives from his mob family or the rules to which he is always chained. He contacts a man called "The Old Man," a strange character discarded by the family who is of help from time to time. This man is supposed to communicate to Toni all necessary information for him to accomplish his mission. Toni plans to execute it in perfect calm. But things do not go according to plan. He meets Marie, a vulnerable journalist whose best friend has just committed suicide. Two doomed characters enter a mysterious relationship.
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◈ Toni Trailer En Francais - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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