Movies Detail of P.O.V. - Point of View (2002)
✓ Title : P.O.V. - Point of View
✓ Original Title : P.O.V.
✓ Release Date : January 25th, 2002
✓ Genre : Drama
✓ Runtime : 107 minutes
✓ Director : Tómas Gislason
✓ Writers : Lars Kjeldgård, Tómas Gislason
✓ Country : Denmark
✓ Cast : Trine Dyrholm, Ulrich Thomsen, Robert Robbin, Thomas Wilson Brown, Gareth Williams, John Mooney, Brian Hemmingsen
✓ Original Title : P.O.V.
✓ Release Date : January 25th, 2002
✓ Genre : Drama
✓ Runtime : 107 minutes
✓ Director : Tómas Gislason
✓ Writers : Lars Kjeldgård, Tómas Gislason
✓ Country : Denmark
✓ Cast : Trine Dyrholm, Ulrich Thomsen, Robert Robbin, Thomas Wilson Brown, Gareth Williams, John Mooney, Brian Hemmingsen
Synopsis of P.O.V. - Point of View (2002)
Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...
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◈ P.O.V. - Point of View Film VF Complet - As a wider variety of writers began to work with cyberpunk concepts, new subgenres of science fiction emerged, playing off the cyberpunk label, and focusing on technology and its social effects in different ways. Many derivatives of cyberpunk are retro-futuristic, based either on the futuristic visions of past eras, or more recent extrapolations or exaggerations of the actual technology of those eras.
◈ Watch P.O.V. - Point of View Full Movie Vimeo - Urban fiction, also known as street lit, is a literary genre set, as the name implies, in a city landscape; however, the genre is as much defined by the race and culture of its characters as the urban setting. The tone for urban fiction is usually dark, focusing on the underside. Profanity (all of George Carlins seven dirty words and urban variations thereof), sex and violence are usually explicit, with the writer not shying away from or watering-down the material. In this respect, urban fiction shares some common threads with dystopian or survivalist fiction. In the second wave of urban fiction, some variations of this model have been seen.
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