Movies Detail of Muito Prazer (1979)
✓ Title : Muito Prazer
✓ Release Date : January 1st, 1979
✓ Genre : Drama
✓ Runtime : 94 minutes
✓ Director : David Neves
✓ Writers : David Neves, Joaquim Vaz de Carvalho
✓ Company : Embrafilme
✓ Country : Brazil
✓ Cast : Flávio Antônio, Ângela Leal, Fernando Reski, Maria Alice Vergueiro, Ítala Nandi, Paulo Cézar Saraceni, Cecil Thiré, Otávio Augusto, Carlos Kroeber, Nelson Cavaquinho
✓ Release Date : January 1st, 1979
✓ Genre : Drama
✓ Runtime : 94 minutes
✓ Director : David Neves
✓ Writers : David Neves, Joaquim Vaz de Carvalho
✓ Company : Embrafilme
✓ Country : Brazil
✓ Cast : Flávio Antônio, Ângela Leal, Fernando Reski, Maria Alice Vergueiro, Ítala Nandi, Paulo Cézar Saraceni, Cecil Thiré, Otávio Augusto, Carlos Kroeber, Nelson Cavaquinho
Synopsis of Muito Prazer (1979)
Two contrasting social groups get in touch: three architects and three street urchins, all struggling for survival.
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◈ Muito Prazer Movie On Filmyzilla - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
◈ Muito Prazer Film Premiere - This type features historical places, people, or events that may or not be crucial to the story. Because history is merely used as a backdrop, it may be fictionalized to various degrees, but the story itself may be regarded as "outside" history. Genres within this category are often regarded as significant categories in themselves.
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